NEWS FROM A DREAM WORLD
The postcard is the ultimate circulating picture, constantly subject to a sense of déjà-vu. Throughout the twentieth century, it went hand in hand with the bottling of the visible world, the rise of image globalization and mass tourism. Collectors, hoarders, retouchers and iconographers seize existing pictures to give them a new meaning, clarify their status or context. By comparing this artistic vision with the making of postcards, this exhibition questions what they show and tell of the world, like a visual anthropology. What did they convey throughout the twentieth century, during their hour of glory? What vision of the world did they plant in the minds of their recipients, who got them from relatives and friends? Both a symbol of our private and collective imagination, the postcard represents an illusion, always close to hand. It shows us a dream world in which can project ourselves, as in a desirable fiction story.
Eric Baudart & Thu-Van Tran (1972 et 1979), Fredi Casco (1967), Moyra Davey (1958), documentation céline duval (1974), Renaud Epstein & initiative urbane kulturen (1971 et créé en 2014). Jean Geiser (1848-1923), Joana Hadjithomas & Khalil Joreige (1969), Roc Herms (1978), Susan Hiller (1940-2019), John Hinde (1916-1997), Katia Kameli (1973), Aglaia Konrad (1960), Valérie Mréjen (1969), Martin Parr (1952), Mathieu Pernot (1970), Brenda Lou Schaub (1993), Stephen Shore (1947), John Stezaker (1948), Oriol Vilanova (1980), William Wegman (1943).
Exhibition curators: Magali Nachtergael and Anne Reverseau, winners of the Rencontres d’Arles curatorial research fellowship.
With the help of the multidisciplinary laboratory Pléiade (EA 7338) and the European Research Council (ERC).
The Rencontres d’Arles curatorial fellowship receives the support of Jean-François Dubos.
Exhibition dedicated to Susan Hiller.