Edition 2010

Prisons

Behind the walls of cliché

Sixty thousand detainees in French prisons: surely the problem can’t be all that hard to solve!
The Rencontres, in their own way, are part of the media, and this exhibition based on the report of France’s Inspector General of Prisons, Jean Marie Delarue, shows just how the world of French gaols, far from being an aid to social reintegration is, rather, an insult to the human condition. This is a call to look beyond the standard ideas about prison. The exhibition also demonstrates the limitations of photography, which cannot convey the nuances of everyday unhappiness in prison. In a photo a TV set, a workshop and a library seem to offer possibilities which in fact are non-existent for most prisoners, and certainly not available on a regular basis. The rules of hygiene and safety are flouted every day, the psychological stresses are chronic, and the laws regarding the minimum wage and access are broken by the state itself. None of this is visible in a photo.
Pictures of a new prison seem to suggest a solution; but the image doesn’t tell you that new prisons have a higher suicide rate than old, dilapidated ones. Three people in a cell is something you can see; but what you don’t see is that one inmate standing means two lying down, because there’s nowhere to sit. And with prisoners spending 22–24 hours a day in their cells, it’s easy to imagine their physical and psychological state.
This is definitely not photojournalism, but rather an alarm signal regard- ing one of democracy’s least well known instruments.
François Hébel, exhibition curator
Sixty thousand detainees in French prisons: surely the problem can’t be all that hard to solve! The Rencontres, in their own way, are part of the media, and this exhibition based on the report of France’s Inspector General of Prisons, Jean Marie Delarue, shows just how the world of French gaols, far from being an aid to social reintegration is, rather, an insult to the human condition. This is a call to look beyond the standard ideas about prison. The exhibition also demonstrates the limitations of photography, which cannot convey the nuances of everyday unhappiness in prison. In a photo a TV set, a workshop and a library seem to offer possibilities which in fact are non-existent for most prisoners, and certainly not available on a regular basis. The rules of hygiene and safety are flouted every day, the psychological stresses are chronic, and the laws regarding the minimum wage and access are broken by the state itself. None of this is visible in a photo. Pictures of a new prison seem to suggest a solution; but the image doesn’t tell you that new prisons have a higher suicide rate than old, dilapidated ones. Three people in a cell is something you can see; but what you don’t see is that one inmate standing means two lying down, because there’s nowhere to sit. And with prisoners spending 22–24 hours a day in their cells, it’s easy to imagine their physical and psychological state.This is definitely not photojournalism, but rather an alarm signal regarding one of democracy’s least well known instruments.

François Hébel, exhibition curator
  • Institutional partners

    • République Française
    • Région Provence Alpes Côté d'Azur
    • Département des Bouches du Rhône
    • Arles
    • Le Centre des monuments nationaux est heureux de soutenir les Rencontres de la Photographie d’Arles en accueillant des expositions dans l’abbaye de Montmajour
  • Main partners

    • Fondation LUMA
    • BMW
    • SNCF
    • Kering
  • Media partners

    • Arte
    • Lci
    • Konbini
    • Le Point
    • Madame Figaro
    • France Culture