Edition 2019



In its third year at the Rencontres d’Arles, Lët’z Arles presents two monographic exhibitions selected by an international jury: Claudia Passeri’s Aedicula and Krystyna Dul's Resonance.

Claudia Passeri’s Aedicula looks at the status of the image, distorted mass information, and the difficult construction of historic speech. It questions the role of the human being—master of the house, tamer of nature—in his environment. The exhibition takes the form of large newspaper display racks leaned against one another in a polyhedral column. Printed on these textless newspapers are photographs taken by the artist in a central Italian village, a now-forgotten symbol of struggle and dark days.

Krystyna Dul’s Resonance takes us to an intimate world where reality and fiction reverberate in a fragmented visual narrative. The setting—a mansion—becomes the theater of its former owner‘s memories. The artist evokes the past—the memories and desire of an aging man— and mixes it with her own vision in the present.

Exhibition curators: Paul di Felice and Danielle Igniti.
Exhibition produced by Lët’z Arles asbl (Luxembourg).
Publications: Aedicula, collective work, coedition Lët’z Arles and CNA (Centre national de l’audiovisuel), 2019.
Resonance, collective work, coedition Lët’z Arles and CNA (Centre national de l’audiovisuel), 2019.
Krystyna Dul is nominated for the Prix de la Photo Madame Figaro Arles 2019.

  • Institutional partners

    • République Française
    • Région Provence Alpes Côté d'Azur
    • Département des Bouches du Rhône
    • Arles
    • Le Centre des monuments nationaux est heureux de soutenir les Rencontres de la Photographie d’Arles en accueillant des expositions dans l’abbaye de Montmajour
  • Main partners

    • Fondation LUMA
    • BMW
    • SNCF
    • Kering
  • Media partners

    • Arte
    • Lci
    • Konbini
    • Le Point
    • Madame Figaro
    • France Culture