Edition 2014

Artist Presented by Bohnchang Koo

Youngsoo Han

People in a period of recovery

At the height of the Korean War, I moved among the front lines as a soldier experiencing this tragedy, witnessing countless scenes that enraged me. I left the army with these horrific memories intact and found myself in the middle of a life which still bore traces of soot from the war. But, at the same time, what was even more surprising and astounding was perhaps the ordi- nary fact that ‘people still lived on’ nevertheless. Though struggling with the multifaceted after-effects of the Korean War, the 1950s was period of recovery. I was able to find hope watching cities and rural communities being rebuilt. Slowly but steadily I was recovering my own humanity. I realise now that this was what led me to a lifetime in which I gradually opened my eyes to photography and moreover the wonders of life itself. Retrospection on the cold days of yore may be distressing, but wouldn’t one agree that the past is the mother of today? Youngsoo Han

Prints by Picto, Paris.
Framing by Circad, Paris.
Exhibition venue: Atelier de Chaudronnerie, Parc des Ateliers.

  • Institutional partners

    • République Française
    • Région Provence Alpes Côté d'Azur
    • Département des Bouches du Rhône
    • Arles
    • Le Centre des monuments nationaux est heureux de soutenir les Rencontres de la Photographie d’Arles en accueillant des expositions dans l’abbaye de Montmajour
  • Main partners

    • Fondation LUMA
    • BMW
    • SNCF
    • Kering
  • Media partners

    • Arte
    • Lci
    • Konbini
    • Le Point
    • Madame Figaro
    • France Culture