Edition 2010

Jean Pigozzi

I’m somewhat dyslexic and have no talent for drawing, so writing and illustrating a journal doesn’t come naturally to me, but taking photographs always has. I started snapping photos at seven or eight, and fifty years later, I’m still at it.
I mainly take pictures of my friends, people around me, buildings, landscapes, the food that makes me hungry, the people I admire, the women that I long for, but also dogs, trees, icebergs and quite often self-portraits. Not that I find myself particularly fascinating or attractive, but the advantage is that I’m always available, I never complain about bad lighting that makes me look old, or say: ‘Why are you putting the camera so close to my nose?’ I also like to pose with celebrities, I find that more fun and more challenging than asking them for an autograph. Until four years ago I used film, then the X-ray machines at airports ruined so many of my negatives that I finally switched to digital. Digital is a different experience, perhaps too easy, but cheaper and faster, therefore well adapted to keeping a journal.
I plan to keep on photographing for as long as I can.
Jean Pigozzi
Exhibition produced with the support of BMW.
Printing by Box, New York City.
Framing by Circad, Paris.
Exhibition venue: Atelier de Maintenance, Parc des Ateliers.
I’m somewhat dyslexic and have no talent for drawing, so writing and illustrating a journal doesn’t come naturally to me, but taking photographs always has. I started snapping photos at seven or eight, and fifty years later, I’m still at it. I mainly take pictures of my friends, people around me, buildings, landscapes, the food that makes me hungry, the people I admire, the women that I long for, but also dogs, trees, icebergs and quite often self-portraits. Not that I find myself particularly fascinating or attractive, but the advantage is that I’m always available, I never complain about bad lighting that makes me look old, or say: ‘Why are you putting the camera so close to my nose?’ I also like to pose with celebrities, I find that more fun and more challenging than asking them for an autograph. Until four years ago I used film, then the X-ray machines at airports ruined so many of my negatives that I finally switched to digital. Digital is a different experience, perhaps too easy, but cheaper and faster, therefore well adapted to keeping a journal. I plan to keep on photographing for as long as I can.

Jean Pigozzi

Exhibition produced with the support of BMW.
Printing by Box, New York City.
Framing by Circad, Paris.
Exhibition venue: Atelier de Maintenance, Parc des Ateliers.

  • Institutional partners

    • République Française
    • Région Provence Alpes Côté d'Azur
    • Département des Bouches du Rhône
    • Arles
    • Le Centre des monuments nationaux est heureux de soutenir les Rencontres de la Photographie d’Arles en accueillant des expositions dans l’abbaye de Montmajour
  • Main partners

    • Fondation LUMA
    • BMW
    • SNCF
    • Kering
  • Media partners

    • Arte
    • Lci
    • Konbini
    • Le Point
    • Madame Figaro
    • France Culture