The Solaris Chronicles invites a group of international artists to conceive a changing mise-en-scene around large-scale models of Frank Gehry’s architecture, in an exhibition in constant motion. The exhibition brings together models of Gehry’s seminal projects, selected by Maja Hoffmann and Gehry, including the Loyola Law School and Walt Disney Concert Hall in Los Angeles, the Guggenheim Museums in Bilbao and Abu Dhabi, the Brooklyn Atlantic Yards, the National Art Museum of China, and the forthcoming Facebook Headquarters in Menlo Park in Silicon Valley. Over the course of six months, interventions will also be made by leading practitioners in the areas of music, architecture, choreography, and theory. The exhibition aims to transform the usual relation between an architect and artists, offering other possibilities for collaboration between practitioners in these various fields. It also reflects Gehry’s own cross-disciplinary range, and his collaborations with musicians, filmmak- ers, and writers. ‘The arts are inspirational to each other, I find,’ says Gehry. ‘They were my kind of early support system when I was doing my initial work.’