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Born 1974 in London, United Kingdom.
Lives and works in London.
Alona Pardo has been a Curator at Barbican Art Gallery in London for nearly 15 years. With a focus on photography and film, she has curated and edited numerous exhibitions and publications including most recently Masculinities: Liberation through Photography (2020); Trevor Paglen: From Apple to Anomaly (2019); Dorothea Lange: Politics of Seeing (2018); Vanessa Winship: And Time Folds (2018); Another Kind of Life: Photography on the Margins (2018); Richard Mosse: Incoming (2017) and Strange and Familiar: Britain as seen by International Photographers (with Martin Parr; 2016). She has contributed widely to art magazines and books, including Modern Forms: A Subjective Atlas of 20th-Century Architecture by the contemporary photographer Nicolas Grospierre (Prestel, 2016) and Vitamin P3: New Perspectives in Painting (Phaidon, 2016). She has a particular interest in work that exists in the intersection between activism, aesthetics and identity.