NEW!
ONLINE COURSES
FEBRUARY — APRIL

> Online courses full program
Participants in this exciting ten-week online courses will complete a personal project, taking advantage of the experience of great photographers and the energy and eyes of others sharing the same passion. This unique experience could be supplemented by a workshop in Arles this Spring.

3 FEBRUARY — 3 APRIL
10 WEEKS
3 individual meetings / 4 group meetings / 1 personal work.

JANE EVELYN ATWOOD 
RÉALIZE A PERSONAL PROJECT 
During individual and group sessions, the goal will be to clarify their vision by working on a personal project. Interviews and photo selection sessions will help them specify an approach, define a subject and commit to it without getting lost.

YANN RABANIER 
PORTRAIT: EXPLORE, SPECIFY, TELL 
Participants will spend two months learning about portrait photography’s range of possibilities, the definition of their choices, distance, lighting and the relationship to the other. Several hands-on experiments, a supportive atmosphere and the sharing of experience will enrich their aesthetic, technical and creative orientations.


SPRING WORKSHOPS IN ARLES
APRIL & MAY

 > Spring workshop full program
Develop your practice alongside outstanding pedagogues, in the ideal setting of a former mansion house entirely dedicated to photographic training.

APRIL 12 — 16 
5 DAYS

KLAVDIJ SLUBAN
SENSITIVE ITINERARY : IMMERSING THE GAZE
This intense five-day course with Klavdij Sluban will focus on the city of Arles and around till Mediterranean coast bathed in the gentle light of spring, inexorably coming alive with the season’s first festivities.

ANTOINE D'AGATA
THE PRIVATE DIARY : AT LIMITS OF PHOTOGRAPHIC ACT
Each participant will be asked to examine the ultimate goal of his approach, to play an active part in his own images, and to work on the texture of reality.

APRIL 19 — 23 
5 DAYS

JANE EVELYN ATWOOD
EXPLORING WITHOUT GETTING LOST
Whatever the photographs’ nature—sensitive and rooted in reality or more conceptual and based on a place, person or fact—consistency, dialogue between the images and a search for meaning will be at the heart of the discussion and the focus of attention.

JÉRÔME BONNET
PORTRAIT : CREATING A WORLD
Mr. Bonnet will help participants set up the lighting conditions that will create a mood, shape the spaces and emphasize expressions. Based on editing and adjustments made with image processing software, they will choose equipment based on distance, lighting, framing, format, etc., drawing the outlines of their own photographic worlds. 

APRIL 27 — 30 
4 DAYS

YANN RABANIER
PORTRAIT: THE FIELD OF POSSIBILITIES
This exciting course focuses on practice, a personal search and simple, sincere, open, adapted discussions allowing everybody to find his or her own portrait-making method. Yann Rabanier will offer three main areas to work on: light, framing and the model’s direction. 

CLAUDINE DOURY
AN INTIMATE VISION OF THE WORLD
The main goal of this four-day course will be to create a series based on each participant’s sensibility and desires. In order to achieve it, Claudine Doury will offer a simple method based mainly on experimentation and the freedom to try new things.

MAY 10 — 13 
4 DAYS

VEE SPEERS
CREATING A PERSONAL LANGUAGE
Whether for a portrait, a staged scene or any other approach, emotion and instinct will at first guide photographing alongside Vee Speers. The course will focus on the basics: interacting, choosing a distance and taking light into account.

PATRICK LE BESCONT
REALIZE A BOOK
This four-day course will tackle every aspect of making a photography book. By the time it’s over, participants will have created their own based on images, photographs, texts, etc. that they bring with them and on the extensive experience of Patrick Le Bescont.

MAY 17 — 21
5 DAYS

PAULO NOZOLINO
DOWN TO THE BONE
It is a workshop for the unsure, the poets, the dreamers, all of those who feel they don’t fit in the system! During the five day experience we will discuss content rather than form and how to make a coherent statement through sequencing for an exhibition or a book.

LAURENCE LEBLANC
WITH A TOUCH OF POETRY
The participants’ sensitivity, curiosity and questions will guide them in their explorations, spinning out a thread and following wherever it leads them in order to weave a story. Ms. Leblanc will help them with editing in order to narrow down their approach and find running themes.


WEEKEND WORKSHOPS 
FEBRUARY — JUNE

> Weekend workshop full program
Professional photographers share their experience, tips and personalized advice with participants to help them improve their technical or aesthetic skills.

FEBRUARY 
FEBRUARY 13 — 14 (2 days)
 
LOOKING AT THE CITY

FEBRUARY 20 — 21 (2 days)

AMELIORATING YOUR PRACTICE

MARCH 
MARCH 19 — 21 (3 days)
 
TO BUILD UP A POINT OF VIEW &  PLAYING WITH LIGHT

MARCH 27 — 28 (2 days)
 
PORTRAIT : INSTANT & INTIMACY

APRIL 
APRIL 09 — 11 (3 days) 
A TERRITORY AND LIVES: 
CHOOSING A DISTANCE

MAY 
MAY 22 — 23 (2 days)
 
EXPLORING LIGHT & BROWSING THROUGH & EDITING YOUR PHOTOGRAPHS

MAY 23 — 25 (3 days)
 
REPORTAGE: THE GREAT GYPSY PILGRIMAGE

MAY 28 — 30 (3 days)
 
LIGHTING A PORTRAIT & FIND YOUR PHOTOGRAPHIC SENSIBILITY

JUNE 
JUNE 4 — 6 (3 days)
 
MASTERING LIGHT

JUNE 4 — 5 (2 days) 
SELECTING AND BUILDING A SERIES

JUNE 12— 13 (2 days)
 
EXPLORING THE CITY: AN INTIMATE VISION