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Denis Darzacq - Joanne Haines, Bradford, West Yorkshire, UK, 2010.

Denis Darzacq

ACT

For twenty years, French photographer Denis Darzacq, a member of the VU’ agency, has constructed an oeuvre whose subtle and restless coherence has gone from strength to strength with every series: Ensembles (Together); Bobigny centre ville (with Marie Desplechin, Actes Sud, 2006); Nu (Naked); La chute (The Fall); Hyper. His latest series, Act, is outstanding. Although it is in the same vein of reflection that he has pursued over the last twenty years (in Ensembles, Chute, and Hyper), i.e. concerns relating to urban culture or the body in relation to city space, this series confronts a different kind of reality insofar as it is specifically about handicapped people. Actors, sportspeople, dancers – men and women that Denis Darzacq met and became friendly with in various countries, including France and England – perform, play, take up positions, and break free of conventional representations. It is as if photography had succeeded in giving new form and meaning to the compassionate injunction “look at disabilities in a new light”.


www.denis-darzacq.com

Denis Darzacq

Born in 1961 in Paris.

Lives and works in Paris.


With a background in photojournalism, Denis Darzacq, who seems to be obsessed by the question of how people live together, is patiently building up an epic picture of new urban realities and issues linked to the way people, in crowds, in groups, or as isolated individuals, understand the city. His avid curiosity leads him, like some sort of land surveyor, towards worlds and tribes that he barely knows, if he knows them at all, but they are people with whom he feels a personal kind of kinship. He attempts to discover their poetic side or simply their oddness and to express this artistically. In parallel with this quest, he is extremely attentive to the different ways the human body relates to the city space. Eschewing realistic conventions of representation, Denis Darzacq stages each one of his “encounters” in a specific way. This personal, photographic way of seeing reveals, by implication, things that are difficult for straight reportage to express – codes, hopes, the things unsaid by which every “one” in the crowd asserts their presence.

Capitole, chapelle Saint-Laurent

> 2 September

5 €