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Nelli Palomäki - Baawo at 30, 2011.

Nelli Palomäki

AS TIME CONSUMES US

Seen and captured by someone else’s eyes reminds us that the image we have of ourselves is not absolute, it is not truthful. In many senses the mirror lies more than a photograph. We learn to see ourselves in such a one-dimensional way, that hardly any image can satisfy us anymore. While time gnaws away at the faces of us and our close ones, we return to look at the pictures from our past. As beautiful or poignant as an image may be; as much as we could garner from it emotionally, the feeling for which we search remains intangible and elusive. We will never fully comprehend or recreate the moment, it died at the moment of its’ birth. Sadly, the portrait is just a shadow of our meeting, a small stain of the time we spend together. Each and every portrait I have taken is a photograph of me too. What I decide to see, or more likely, how I confront the things that I see, inevitably determines the final image. But more than that, the intensity of the moment shared with the subject, controls the portrait. As we stand there, with our grave faces, breathing the same heavy air; never so aware of each other’s details. One blind and lost without seeing his own appearance, one desperately trying to reach the perfect moment. The complexity of portraiture, its greatest trap, eventually always lies on its power relationships. What I desire to find and to reveal might be someone’s secret. These secrets, finally shown to the viewers, as they were mine. A portrait remains forever. It is a desperate way to stay connected to someone who, though possibly a stranger, remains so familiar. It is my way of preserving a part of that person, embalming them. Through the portrait I build a relationship with my subject. I carry my subject’s memories with me, memories, as they are, being so intimately connected with photographs. Secretly I study their faces. This is how I remember them. I wonder how they remember me. As the time eats slowly away at us, I still hold these images of them, like they are the only way I ever knew, or will know these people. And that ever pervasive feeling; I met them. They will die and eventually I too will die.


Nelli Palomäki


www.nellipalomaki.com

Cecilia Sandblom - Nelli Palomäki.


Nelli Palomäki

Born in 1981 in Forssa, Finland.

Lives and works in Isnäs, Finland.


Nelli Palomäki studied at the London College of Communication (MA in photography, Victor Fellowship Grant), the Aalto University School of Art and Design in Helsinki (MA in photography) and Arts Academy at Turku University of Applied Sciences (BA in photography). Selected solo and group shows include the Aperture Gallery and Bruce Silverstein Gallery in New York, Kulturhuset in Stockholm, Purdy Hicks Gallery and Next Level Projects in London, Helsinki City Art Museum, Hasselblad Center in Gothenburg, Daegu Photo Biennale in South Korea, the National Museum of Photography in Copenhagen and Paris Photo 2009-11. In 2010, Palomäki placed 2nd in Sony World Photography Awards in portraiture category and the same year Hasselblad Foundation awarded her for the Victor Fellowship Grant for the studies in London. She is one of the young emerging artists in the reGeneration2 project. Nelli Palomäki is represented by Gallery TAIK (Berlin).

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