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Chu Ha Chung - Bugu–1 Ri Bukmeon Euljin-GunKyongbuk, Korea, from the series A Pleasant Day, 2006.

Chu Ha Chung

The focus of my photographic work is towards far-flung corner of society to reveal signs of inner meaning. My first work, Hea-seng-won: psycho prison, included ‘Photographic violent: alienated elders from German society’, ‘Voices of earth: Korean farmer’ and ‘the Western sea: mud flat at the Yellow Sea, Korea’, and the most recent one is called A Pleasant Day: people around nuclear power plant. These works demonstrates my interest in the theme of universal human life.

A Pleasant Day is shown for the prix Découverte and especially the work about people living around nuclear power plant. Through frequent visits around the four nuclear power plants in Korea, I focused on ‘blinded fear’ existing among people living there. Innate fear originating from nuclear development does not have much influence on ordinary men. People naturally adapt themselves, influenced by the optimistic advertisement of nuclear development that the nation broadcasts. I tried to express the fear in their lives in a simple, calm and quite manner. Although no one speaks of this well known fear, its true nature is embedded in alienation and indifference. People try to become optimistic when facing huge anxiety. This uncritical optimism is another name for a ‘given fear.’ A peaceful daily life was created by the nation. This is what I meant to demonstrate, this is why my work’s title evokes this peaceful daily life.


Chu Ha Chung

Chu Ha Chung

Born in 1958 in Incheon, Korea.

Lives and works in Korea.


From 1978 to 1981, Chung served in the Korean military, a mandatory requirement for all citizens in South Korea. He studied photography for three years at Chung-ang University after being discharged. During this time, he did some voluntary work in an asylum near the university and took photos of the patients. He had his first individual exhibition at the Seoul Publishers Cultural Center in 1984, followed by the publishing of his first book. He then went to Germany and majored in photography while taking photos of alienated elders and started teaching photography in the Kölnhochschule. Chung returned to Korea in 1992 and reflected interest in the most important elements of ‘being’ such as earth, water, fire, and wind. He was exhibited eleven times in Germany and Korea or the U.S., France, Japan, Germany, Korea, etc. His work is collected in the National Museum of Contemporary Art, Artsonje Center, and many other galleries and museum in Korea. Chung had received the Kodak European Photographic Award in 1987.

Atelier de Mécanique

> 23 September

10 am to 8 pm

11 €


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