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Geoffroy Mathieu - Composition, Chavade’s pass, Ardèche, 11th February 2005, 20th February 2007, 13th February 2010, 10th February 2011.

Bertrand Stofleth
ENSP 2002
& Geoffroy Mathieu
ENSP 1999

THE DYNAMIC OF LANDSCAPES

A SEQUENCE OF IMAGES FROM THE PHOTOGRAPHIC OBSERVATORY OF THE LANDSCAPE IN THE NATURAL REGIONAL PARK OF MONTS D'ARDÈCHE (2005-12)

A photographic landscape observatory consists of setting up, on a given territory, a photographic watch in order to study how landscape changes. A photographer on this type of project must produce an aesthetically pleasing work, which functions both as an art object and a documentary, understandable in other contexts (historical, sociological); the intention being that all occupants of this territory, from environmental management professionals to tourists, from politicians to residents, make their own use of these images.

Over and above the topographical record, our process has been to establish a visual baseline, repeated season after season, year after year. To this end we have chosen angles based on a different ways of criss-crossing the territory: systematically, empirically and stochastically. We have been careful to bear witness to the diversity and richness of the area. This intention was paralleled by a strong desire to think of these territories along the lines of sculptures or art installations created by human hands, or by the environment, or through the passage of time. In this way, little by little, we were able to measure the depth of landscapes as if they consisted of sedimentary layers superimposed on each other.

The multiple timelines encountered throughout our landscapes led us to establish a sort of prospective archaeology of the territory. From sites that seem subject to imminent change, to others that appear somewhat frozen in time, we have tried to enumerate, through our photos both present and future, the different potentialities of a space. To perceive a territory in this way is to set up an extraordinary vision of a landscape as an aesthetic work, as a layering of future intentions both fulfilled and abandoned: an intellectual game involving a truly dynamic vision of the landscape.



Bertrand Stofleth and Geoffroy Mathieu


www.bertrandstofleth.com

www.geoffroymathieu.com


Exhibition made possible with the help of the photographic landscape observatory and produced for the Parc naturel régional des monts d’Ardèche.

Geoffroy Mathieu

Born 1972 in Boulogne-Billancourt.

Lives and works in Marseille.


The series Un mince vernis de réalité (A thin varnish of reality), Éditions Filigranes 2005, as well as Parcelles (Parcels) and Canopée (Canopy) are the end product of Mathieu's daily contemplative artistic practise. In Dos à la mer (Backs to the sea), published in 2009 - Éditions Filigranes -, he travels throughout the world of Mediterranean cities looking for the small pockets of resistance that can alter the urban landscape. He takes on issues inherent in a changing landscape in the series Mue, paysage autour du chantier du viaduc de Millau 2002-2005 (Metamorphosis, landscape around the Millau viaduct worksite), Images en Manoeuvre, 2005, and through projects commissioned by the landscape photo-observatory of the Monts d'Ardèche natural park (from 2005 on) as well as for the associated communes of the Hérault Valley (since 2010). Blending his interest in the rural and urban, he is now working on a new project focusing on nature within cities in Tangier, Marseille, Edinburgh and Katowice. Jointly with Stofleth, and in partnership with Marseille-Provence 2013 and the Centre national des arts plastiques, he is also setting up a landscape photo-observatory sited near the GR2013 peri-urban trekking path.


Bertrand Stofleth

Born 1978 in Châtenay-Malabry.

Lives and works in Lyon.


Stofleth's artistic explorations focus on the way people inhabit a given territory, and investigate the uses and representation of landscapes. In his Autour du belvédère series (Around the belvedere), 2001-05, he seeks to write a memoir based on a geography rebuilt from scratch. The landscape photo-observatory project carried out in the heart of the regional park of Monts d'Ardèche (since 2005) and in the Hérault valley (since 2010) constitutes a voyage through time that brings to light changes made in the territory. Since 2011 this work on landscape mutations is also focused on urban environments, in particular around the arts residences within the Chambéry medical center and in large residential complexes in Bron. In Rhodanie, paysages déclassés (Rhodanie, decommissioned landscapes), starting in 2008, he constructs through a series of set pieces an iconography of daily life that takes into account the various uses and modifications made of and to a river. He is currently continuing his collaboration with Mathieu, in partnership with Marseille Provence 2013 and the Centre national des arts plastiques.

Grande Halle

> 23 September

10 am to 8 pm

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