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Christopher Clary - Self-portrait (my collection), pornography magazines and wall unit, 2009-2011.

Christopher Clary

Christopher Clary made an installation for an exhibition called Gay Men Play that I put together for the New York Photo Festival in 2009, about the use of photography by gay men as a tool for communicating about sex. The room he created, wallpapered with images he collected and output from his hard drive, was smart and affecting. But his work is only partly about photographs as social and sexual currency. In publicly exploring his desire for a particular photographic archetype of manhood, and the male nude, Clary poignantly mines issues of sexual fiction, self-confidence and male vulnerability.

Chris Boot


Christopher Clary is a multidisciplinary installation artist who uses appropriated and his own photography to confront issues of sexuality and masculinity. At the core of his practice is a collection of gay porn—magazines that document the bear, leather and trucker communities over a twenty year period, and a digital collection including 1,500 men downloaded from professional and amateur sex and social network websites. The collection becomes the starting point for the creation of works that consider his own sexual and social identity, and the production and consumption of images of male sexuality. Clary’s installation in Arles includes a presentation of his porn photographs in a raw state; magazines on display and thumbnails printed on wallpaper. Within the space, images of Kevin from the collection are blown up on canvas and stacked in groups—JPG windows manifested as larger-than-life paintings. The installation also includes two series of photographs, involving Clary’s encounters with men from his collection in real life: invited to slowly undress over a period of two hours in front of a camera in his studio, Clary sets the camera to make photographs automatically every five seconds. As singular images, the results seem similar to the photographs in the collection, but the series as a whole reveals and explores a subtext to the ‘male nude’, with his encounters provoking and revealing expressions of vulnerability and pain as well as sexual self-confidence and desire.


www.christopherclary.com

Christopher Clary

Born in 1968, Rochester, NY. Lives and works in Brooklyn, NY.


For an early intervention, as an undergraduate student of painting and photography at Northwestern University, he canvassed campus billboards with posters that read, “I’ll have no faggot son of mine”. This was before activist groups like ACT UP co-opted such language, so it came as no surprise the gay community on campus, in Chicago and even the national gay press called for Clary’s expulsion. His work has been included in seminal homocentric exhibitions including Gay Men Play at the New York Photo Festival, Homomuseum at Exit Art and Queer Art/Body Commodities at WORKS/San Jose. He has been a regular on the New York City alternative scene with major pieces created for ABC No Rio, Cuchifritos, Momenta Art and Rush Arts Gallery. Reviews include the New York Times, Village Voice, HX and Out magazines with interviews for Photo District News, Photographie.com and NY1. Recently Artist Alliance Inc. and Exit Art awarded him residencies in New York City. Clary received an MFA in 1995 from the American University, Washington DC. Shortly after graduating he moved to New York to assist artists Byron Kim and Glenn Ligon.


www.christopherclary.com