Ajax loader

Gabriel Figueroa - Photograph of the filming of La Perla (The Pearl), 1945

Gabriel Figueroa

Gabriel Figueroa Mateos (1907-1997) brought his wide-ranging eye to bear on more than half a century of Mexican cinema. In the course of a prolific image-making career he was a studio portraitist, photojournalist, stills man, lighting engineer, cameraman, director of photography and an emblematic figure in a dream factory that provided several generations of Mexicans with entertainment and an initiation into the world of the emotions. The Figueroa filmography comprises over two hundred works displaying his technical skill, mastery of sophisticated framing and light and shade, an aesthetic affinity with the other visual arts and an ability to adapt to the changing rhythms of an art that was as much an industry as a form of diversion. Acclaimed at the world’s leading film festivals for his talent with lighting and the camera, he was called on by such celebrated directors as John Ford, Luis Buñuel and John Huston. This exhibition in the form of a video installation offers an overview of the vivid repertoire of someone who brought to the screen the passions, faces and landscapes of a people chosen by the sun and darkly overwhelmed by tragedy. Moving through the exhibition, the viewer will discover, even if only fragmentarily, the sheer diversity of the genres Figueroa’s calling embraced: thrillers, comedies, tragicomedies, melodramas, historical epics and adaptations of novels and serials. A trip through the real and illusory worlds the eye of a cameraman has enabled viewers to see, glimpse or imagine, the exhibition above all confirms the existence of a multitude of Mexicos—some of them no more than pure images of seduction...


Alfonso Morales, curator of the exhibition


Exhibition produced by the Televisa Foundation in collaboration with the Rencontres d’Arles.

Gabriel Figueroa

Born in 1907 in Mexico City. Died in 1997 in Mexico City.


Gabriel Figueroa lost his father and mother shortly after his birth. Cared for by his aunts, he was encouraged to pursue his interest in the arts, and a family bankruptcy led to him working, at the age of fourteen, in the darkroom of a photography studio. In 1932 he made his debut in the movie industry as a stills photographer, with the help of cameraman Alex Phillips Sr. Phillips then found him a scholarship to go to Hollywood, and under the auspices of Gregg Toland he learnt all about lighting in Sam Goldwyn’s studio. Back in Mexico, in 1936 he made his first film as cameraman, Allá en el Rancho Grande, with director Fernando de Fuentes; the film took first prize at the Venice Film Festival in 1938. The Figueroa style really took shape when he met Emilio Fernández in 1943: they would go on to make twenty-six films together during what was the golden age of Mexican cinema. In 1950 he met Luis Buñuel, with whom he made seven films. Despite many attempts to put him under contract—by Orson Welles and Walt Disney, among others—Figueroa never gave up the creative freedom he found in his home country.

Église des Frères Précheurs

July 4th - September 4th


10:00 - 19:00


8 euros