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2009 EDITION

July 7th - September 13th

Jean-Claude Bélégou - Luncheon on the Grass series, 2003.

Jean-Claude Lemagny

TOUT CE QUI EST À VOIR EST CE QUE VOUS VOYEZ (What is to be seen is what you see).

At the Rencontres d’Arles I have come to know many artists of all sorts, whose works have been acquired to enrich the collections of the Bibliothèque Nationale. The governing idea of the show titled Tout ce qui est à voir est ce que vous voyez (‘What you see is all there is to see’) is to combine text and image on the same footing. The texts, numerous short quotations by philosophers and artists, are arranged in space like the ‘frozen words’ that blossom in Rabelais’s famous tale. In their own ways, they say the same thing: that words are not at all like images.

I chose the images from those by contemporary photographers which have recently been added to the collections of the Prints and Photographs Department at the Bibliothèque Nationale (BnF).

This event follows on from the exhibitions of new additions to the BnF held in the rue de Richelieu in Paris: La Photographie creative (1984), La Matière, l’ombre et la fiction (1994) and Seventies (2008), about American photography.

The present exhibition reflects a moment in the life of a collection that is open to every trend and influence. It cannot therefore have a unity of style, but presents the visual coherence of a number of chosen images.


Jean-Claude Lemagny

Honorary curator, BnF


Acknowledgments: Prints and Photographs Department: Sylvie Aubenas, director, Anne Biroleau, chief curator, and François Cam-Drouhin, intern, Jérôme Lacharmoise, contract worker, Nicolas Pecquet, chief storemaster, and Damien Plantey, librarian.

Exhibition produced with the exceptional assistance of the National Library of France.

Jean-Claude Lemagny

Born 1931 in Versailles, France.

Lives and works in Paris.


Jean-Claude Lemagny is the elder son of Paul Lemagny, who won the Grand Prix de Rome (in the engraving category) and was a member of the Institut de France.

A qualified history teacher and holder of an advanced degree in art history, Jean-Claude Lemagny joined the French national library, the Bibliothèque Nationale (BnF), in 1963. There he was first put in charge of eighteenth-century engravings, a subject he taught at the Ecole du Louvre. In 1968, he became director of the BnF’s photography department. He created a photography gallery there in 1971, and curated many exhibitions both of old photographs and of work by promising newcomers. Once each decade he also staged more extensive exhibitions of the BnF’s new acquisitions.

Jean-Claude Lemagny has written numerous texts and articles on aesthetics and the history of photography, and produced several exhibition catalogues, including La photographie créative (1984) and La Matière, l’Ombre et la fiction (1994). A collection of some of his articles was published under the title L’Ombre et le temps (1992). Jean-Claude Lemagny left the BnF in 1996, and was given the title of ‘honorary general curator’.